Designboom Explores Spectator and Spectacle in Design
Sofia Lekka Angelopoulou opens the discussion on how architecture, art, and design challenge our daily perceptions and experiences.

Stock photo for illustration only, not from the actual event
- Sofia Lekka Angelopoulou questions if society is starved of spectacle
- Features insights from global architects, artists, and photographers
- Yeondoo Jung transformed 1,200 children drawings into staged Seoul photos
- Jean-Baptiste Fastrez designed inflatable boat-inspired mirrors for Moustache
In a recent feature titled Spectator and Spectacle, designboom journeyed from underground nightclubs to cinematic illusions, wearable architectures, and sculptural mirrors. Opening the chapter with her editorial The Haçienda Must Be Built, Sofia Lekka Angelopoulou challenged readers by asking what happens when experiences become entirely predictable and images lose their power to surprise us.
The conversation expanded through contributions from various practitioners. John Leo Gillen reflected on disappearing nightclub architecture, Łukasz Twarkowski blurred the lines between theater and cinema, and Dennis Vanderbroeck examined spatial design for collective experiences. Meanwhile, photographers David Altrath and François Prost captured architectural spaces and facades from distinct viewpoints.

Stock photo for illustration only, not from the actual event
Highlighting collective performance, Leda Papaconstantinou and the Spetses Players transformed a Greek island into an experimental stage during the 1970s using local stories and architecture. Similarly, Korean artist Yeondoo Jung collected children drawings in his Wonderland project, recreating them with teenage models and props across Seoul to expose truths about urban development and social inequality.
"What if we are not overwhelmed by spectacle, but starved of it?"
Sofia Lekka Angelopoulou
Lucy McRae views the human body as a starting point for alternative futures, using fashion and speculative technology as invisible architecture. On the other hand, French designer Jean-Baptiste Fastrez played with mirror paradoxes for Moustache by turning inflatable boat forms into glossy ceramic frames and oversized chrome spheres, questioning the boundary between function and ornament.
This deep dive into Spectator and Spectacle highlights how human effort, physical craftsmanship, and community engagement remain vital in an era dominated by instant digital generation, reminding us that true wonder often requires tangible collaboration and material reality.
Source: designboom
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