From Jewel-Covered Apples to Frozen Clocks: 62 Ideas for the High Line’s Next Sculpture
High Line Art has released 62 proposals for the seventh and eighth editions of its monumental public art program on Tenth Avenue.
Stock photo for illustration only, not from the actual event
- High Line Art releases 62 proposals for installations in 2029 and 2030
- Sculptures will occupy the elevated site above Tenth Avenue in Manhattan
- Selection features diverse artists working across sculpture and installation
- Highlights include giant fruit sculptures and a digital clock installation
New York’s next High Line Plinth commissions remain several years away, though the debate around them has already begun. High Line Art has released 62 proposals for the seventh and eighth editions of the monumental public art program, scheduled to occupy the elevated site above Tenth Avenue in 2029 and 2030. Early visualizations place giant fruit, fragmented bodies, illuminated signs, and unfamiliar creatures against the towers of Manhattan’s West Side.
The complete selection spans artists working across sculpture, installation, and performance. Here, designboom takes a closer look at twelve proposals by familiar artists, moving from Kathleen Ryan’s jewel-encrusted apple core to Kelly Akashi’s passageway of enlarged steel lace.
Kathleen Ryan enlarges the remains of a bitten apple into Red Delicious, a glossy red shell with an interior assembled from abalone, crystals, and stone. The familiar piece of discarded fruit becomes an oversized New York emblem, carrying references to desire, consumption, and the city’s enduring association with the Big Apple.
Stock photo for illustration only, not from the actual event
Ali Cherri also turns to New York’s unofficial fruit. Apples in a White Bowl expands the familiar still life into a large white cement vessel filled with disproportionately sized bronze apples. The fruit appears in an advanced state of decay, turning an image of domestic abundance toward decomposition and impermanence. From the street below, the bowl would read almost immediately; closer inspection reveals its contents collapsing under the passage of time.
Exhibiting large-scale public art on the High Line Plinth transforms urban spaces into platforms for critical dialogue, allowing artists to address complex themes of history, ecology, and human experience within the dense fabric of New York City.
Kelly Akashi translates two delicate doilies into a 25-foot-tall Cor-Ten steel structure. Titled Double Negative, the proposal curves the perforated forms toward one another until they meet overhead, creating an open passage through which visitors can walk. The scale shifts the doily from a domestic object associated with care and hand labor into a heavy piece of public infrastructure.
Enrico David centers physical and emotional fatigue in Sleepwalker: Honouring the Tired. The proposal takes the form of a monumental figure folded forward, with a glowing, onyx-colored face emerging from its bent posture, while a second, smaller figure leans against the sculpture’s base.
Source: designboom
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