Marius Boekhorst turns floral imagery into pixels with glass
Dutch designer Marius Boekhorst explores nature through geometric glass sculptures in his Violet series, dissolving flowers into abstract color pixels.
Stock photo for illustration only, not from the actual event
- Marius Boekhorst unveils the Violet collection of geometric glass sculptures
- Textured patterned glass distorts botanical subjects into abstract color fragments
- The artwork balances rigid architectural geometry with organic floral forms
- The series has expanded into frosted editions and two-dimensional art prints
Dutch artist and designer Marius Boekhorst is challenging how we observe the natural world by filtering floral photography through patterned architectural glass. In his Violet series, Boekhorst constructs three-dimensional geometric sculptures that dissolve botanical subjects into abstract compositions of pure color and light.
Typically utilized for domestic windows, doors, and room partitions to obscure views while diffusing light, patterned glass is repurposed here to fundamentally alter visual perception. The artist invites viewers to engage in a slower, more deliberate examination of familiar botanical forms.
Stock photo for illustration only, not from the actual event
As light filters through the textured glass elements, the underlying floral imagery fragments into smaller patches of color and shape. Petals transform into abstract swathes of orange, purple, and pink, while foliage breaks down into varied green tones. The glass acts as an intentional lens that both frames nature and interrupts direct observation.
Using conventional architectural materials in fine art contexts allows contemporary designers to question human perception. By manipulating transparency and refraction, artists can turn mundane structural elements into active participants in natural storytelling, bridging the built environment with organic life.
The tension between the rigid geometry of the glass enclosure and the organic spontaneity of the flowers forms the core of the collection. Boekhorst describes this dynamic by comparing the glass to a canvas and the flowers to paint, creating abstract compositions with profound sculptural depth.
The project has evolved through various iterations including Violet Frosted and Violet Pixel, alongside translations of the three-dimensional sculptures into flat, two-dimensional art prints that preserve the fragmented aesthetic.
Source: designboom
Found something wrong in this article? Report an issue with this article
Comments
Leave a Comment