Christopher Glass Crafted Tilting Sets for Boots Riley Film
Production designer Christopher Glass discusses creating a 15-degree tilted office set for Boots Riley's upcoming film I Love Boosters.
Stock photo for illustration only, not from the actual event
- Christopher Glass designed a 15-degree tilted office set for Boots Riley's new film.
- The movie I Love Boosters stars Keke Palmer, Demi Moore, and Eiza González.
- Glass's portfolio also includes Spike Jonze's Apple HomePod commercial and The Jungle Book.
- Practical effects played a major role, including a giant junk ball and exploding plaid.
Production designer Christopher Glass has come off the colorful sets of American director Boots Riley’s latest film, I Love Boosters, which stars Keke Palmer, Demi Moore, and Eiza González. In the feature, Moore portrays fashion designer Christie Smith, whose office sits inside a fictional, sinking version of San Francisco’s Millennium Tower.
Riley’s film lampoons the luxury skyscraper's real-world structural deficit by constructing an egregiously slanted workspace where characters slip, slide, and struggle to close doors. Although the script called for a 45-degree slant, the physical set was built at a 15-degree angle.
Stock photo for illustration only, not from the actual event
Many thrilling elements in the movie—such as a giant threatening ball of junk chasing Palmer and plaid fabric exploding off a dress—were practical effects crafted by Glass and his dedicated crew. Glass is no stranger to ambitious builds, having previously worked on hybrid physical-digital worlds like The Jungle Book and Apple's ribbon-filled HomePod commercial.
"I was very hands-on in the battlefield dressing, like dark ash all over the place and setting up body parts for blown up people. It's just because I'm a nerd for filmmaking and and if I if I'm not doing something I start to feel too separated from the process."
Christopher Glass
Beyond blockbuster films and high-profile commercials, Glass's hands-on mentality extends to every prop and painted surface on set. His genuine passion for the intricacies of filmmaking ensures he remains deeply immersed in the physical artistry of cinema.
Designing practical sets with structural anomalies like tilted floors requires precise engineering to maintain actor safety while delivering the intended cinematic illusion. Opting for a 15-degree angle instead of a steeper 45-degree script requirement demonstrates a practical compromise between visual comedy and physical feasibility during filming.
Source: designboom
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