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Chen Wei Explores Dance Floors and Imagined Ecstasy

Artist Chen Wei reflects on the elusive nature of ecstasy and pleasure through staged photography, personal memories, and nightlife stories.

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12 Oct 2026Source: designboom2 min read (0 views)
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Chen Wei Explores Dance Floors and Imagined Ecstasy

Stock photo for illustration only, not from the actual event

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  • Artist Chen Wei examines the concept of ecstasy through meticulously staged photography.
  • Inspirations stem from 1990s nightlife experiences and stories shared by friends.
  • A film studio was used to recreate a dance floor atmosphere with hundreds of extras.

In his guest essay, artist Chen Wei explores the elusive nature of ecstasy and pleasure, drawing inspiration from nightlife experiences, staged photography, personal memories, and stories shared by friends to examine how pleasure is performed, imagined, and reconstructed.

The artist's fascination began with a shampoo advertisement plastered on a public bus featuring a woman with soapy foam in her hair, closed eyes, lifted eyebrows, and half-open lips. This commercial portrayal represents a standardized, safe version of inebriation built on cliché performance, capturing a state of enjoyment that is poetic yet untrustworthy.

Reviewing his own past from frequenting 1990s disco and roller skating clubs to performing with a music band at the turn of the millennium, Chen Wei realized he had perhaps never truly reached an ecstatic state himself. This realization led him to seek out the source through nightclubs, conversations with friends, and observing crowds on dance floors.

film studio production set lighting fog

Stock photo for illustration only, not from the actual event

In a film studio setting, hundreds of extras were gathered and instructed to pretend to dance and act intoxicated under intense lighting and periodic thick fog from a smoke generator. Without prior consensus, the extras exhibited rigid postures and confusion, unsure of how to properly perform a state of intoxication for the camera.

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โฆษณา

“I, a boat lost under the hair of coves, hurled by the hurricane into the birdless ether.”

Arthur Rimbaud, The Drunken Boat

Although he rarely visits nightclubs anymore due to time constraints, the diverse experiences and atmospheric stories shared by his friends serve as fundamental literary and visual references for him to recreate these fragments of memory within his studio.

Chen Wei's artistic approach highlights the boundary between reality and fiction, utilizing theatrical spatial designs to dissect the psychological states and contemporary environments shaped by modern consumer culture.

Source: designboom

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